Her talk, which will focus on the history of Black music, will take place on February 23 at 7 p.m. and will be livestreamed.
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“These stereotypes were a powerful reinforcement of the ideas of white supremacy and Black inferiority,” Reece says.
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Dwandalyn Reece ’85 testified before the US House of Representatives’ Subcommittee on the Constitution, Civil Rights, and Civil Liberties regarding the history and importance of the hymn “Lift Every Voice and Sing.”
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Trustee Dwandalyn Reece ’85, associate director of curatorial affairs and curator of music at the Smithsonian Institution’s National Museum of African American History and Culture, will discuss the museum’s new project, “The Anthology of Hip-Hop and Rap,” at a virtual event hosted by the Washington Post.
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Trustee Dwandalyn Reece ’85, associate director of curatorial affairs and curator of music at the Smithsonian Institution’s National Museum of African American History and Culture, assembled a playlist for NPR’s Tiny Desk Playlist series. “A celebration of African-American music must acknowledge the underpinnings of the quest for freedom and justice that the music represents,” she said.
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Dr. Dwandalyn Reece ’85, curator of music and performing arts at the Smithsonian Institution’s National Museum of African American History and Culture, was on聽CBS This Morning discussing the history of blackface鈥� the practice of white performers using black makeup on their faces to caricature Black Americans.
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